Brilliant Works of Art
Law student Abby Gates has no qualms about becoming a sugar baby to get her tuition bills paid…until it means keeping a secret from the man she loves, an artist exploring confession and the thresholds of shame. When Abby’s two worlds collide, she discovers her sugar daddy has taught her about more than good wine.
Brilliant Works of Art began with the idea of tracing one sugar relationship from its inception to completion some 40 years later. But in the early stages of building what I wanted to be a formative relationship to both parties, the writing became so complex that I had to sock away the rest of the story for the second and third plays in the trilogy. That said, I love what BWOA became: a story about what we give up to get what we want; art vs. commerce; love vs. sex; willing compromise; and ultimately, a woman unapologetically occupying a place that traditionally belongs to men. That last part has made this a hot-button play, which is to say you’re probably not going to feel neutral when you finish listening to it. Nobody in any talkback ever has, and the spirited debates it has provoked have perhaps been the play’s greatest strength, even as artistic directors often feel they are also the play’s greatest liability (i.e. too risky). I am thrilled to be able to share it with you.
|Stage directions||Brandy Carson|
Brilliant Works of Art was the winner of the Firehouse Festival of New American Plays and is on the 2016 Kilroys List, among other accolades.